Abstract Laterite gravels have been successfully adopted as pavement materials in the field. Despite that, they are often rejected in material selection processes because of its base on traditional gradation and consistency limits requirements. To allow a deeper evaluation of such material found abundantly in tropical countries, along to characterizing traditional parameters, repeated load triaxial tests were performed in a Laterite Gravel from Acre/Brazil to evaluate its elastic and plastic behavior through Resilient Modulus (RM) and Permanent Deformation (PD), respectively. In addition, a simulation was conducted in the MeDiNa software, based on the test results considering stress states that are usually applied in pavement layers. The material showed RM values higher than 500 MPa, which was considered high compared to materials such as Quartz and Granite. It was also observed low permanent deformation (below 1 mm for higher tensions applied) and accommodation of displacement (shakedown) for most specimens. The simulation results showed low rutting prediction for the Laterite Gravel applied in highway pavement layers. Thus, the results indicated that the lateritic gravel can be adopted in the composition of base or subbase layers of flexible pavements, even though some limits of the parameters specified by traditional specifications were violated, as expected. In addition, we also highlight the need for adoption of new material selection strategies that are based on key mechanical characteristics to avoid discarding potentially well performing materials.

RESUMEN: Ana sem título es un documental híbrido que indaga la trayectoria de la protagonista, una joven artista negra brasileña, por algunos países latinoamericanos (Cuba, México, Chile y Argentina), en los difíciles años sesenta y setenta. Con un equipo de filmación, la directora Lucia Murat cuestiona el estado del arte en ese momento, a partir de un panel de temas de mujeres comprometidas en la expresión de su nuevo rol en el mundo.

ABSTRACT: Ana sem título is a hybrid documentary that investigates the journey of the main character, a young black Brazilian woman artist, through some Latin American countries (Cuba, Mexico, Chile and Argentina) in the 1960’s and 70’s. With her film crew, director Lucia Murat questions the state of the arts at that time, based on a panel of issues from women who are engaged in the expression of their new role in the world.

ABSTRACT: Ana sem título is a hybrid documentary that investigates the journey of the main character, a young black Brazilian woman artist, through some Latin American countries (Cuba, Mexico, Chile and Argentina) in the 1960’s and 70’s. With her film crew, director Lucia Murat questions the state of the arts at that time, based on a panel of issues from women who are engaged in the expression of their new role in the world.

RESUMO: Ana sem título é um documentário híbrido que investiga a trajetória da protagonista, uma jovem artista negra brasileira, por alguns países da América Latina (Cuba, México, Chile e Argentina) nas duras décadas de sessenta e setenta. Com uma equipe de filmagem, a diretora Lucia Murat questiona o estado da arte da época, começando com um painel de mulheres empenhadas em expressar seu novo papel no mundo.

Resumo O objetivo deste estudo foi avaliar o efeito da instrumentação de canais radiculares utilizando sistemas reciprocantes de lima única em diferentes comprimentos de trabalho sobre o desenvolvimento de microfissuras apicais utilizando imagens de microtomografia computadorizada (micro-CT). Quarenta incisivos inferiores humanos extraídos foram distribuídos aleatoriamente em 4 grupos (n=10) de acordo com os sistemas e comprimentos de trabalho utilizados para preparar os canais radiculares: Grupo A - WaveOne Gold no forame apical (FA), Grupo B - WaveOne Gold 1 mm aquém do FA (FA-1 mm), Grupo C - Unicone (FA) e grupo D - Unicone (FA-1 mm). Escaneamentos de micro-CT foram realizados antes e após o preparo dos canais a uma resolução isotrópica de 14 μm. Em seguida, três examinadores avaliaram as imagens de secção transversal geradas para detectar microfissuras na porção apical das raízes. Microfissuras apicais foram visualizadas em 3, 1, 1 e 3 espécimes nos grupos A, B, C e D, respectivamente. Todas essas microfissuras observadas após o preparo dos canais radiculares já existiam antes da instrumentação e não foi detectada nenhuma nova microfissura apical. Para todos os grupos, o número de cortes apresentando microfissuras após o preparo dos canais radiculares foi o mesmo verificado antes do preparo dos canais. A instrumentação de canais radiculares utilizando WaveOne Gold e Unicone, independentemente do comprimento de trabalho, não foi associada à formação de microfissuras apicais.

Abstract The objective of this study was to evaluate the effect of root canal preparation with single-file reciprocating systems at different working lengths on the development of apical microcracks using micro-computed tomographic (micro-CT) imaging. Forty extracted human mandibular incisors were randomly assigned to 4 groups (n=10) according to the systems and working length used to prepare the root canals: Group A - WaveOne Gold at apical foramen (AF), Group B - WaveOne Gold 1 mm short of the AF (AF-1 mm), Group C - Unicone (AF) and Group D - Unicone (AF-1 mm). Micro-CT scanning was performed before and after root canal preparation at an isotropic resolution of 14 µm. Then, three examiners assessed the cross-sectional images generated to detect microcracks in the apical portion of the roots. Apical microcracks were visualized in 3, 1, 1, and 3 specimens in groups A, B, C, and D, respectively. All these microcracks observed after root canal preparation already existed prior to instrumentation, and no new apical microcrack was detected. For all groups, the number of slices presenting microcracks after root canal preparation was the same as before canal preparation. Root canal preparation with WaveOne Gold and Unicone, regardless of the working length, was not associated with apical microcrack formation.