The transfer objectification is based on an epistemological position characteristic of the science discourse and implies the Verwerfung of the subject's real and of its truth, excluding the possibility of the analytical act. To discuss it, this paper uses biographical data and reports of Marylin Monroe's last analytical sessions emphasizing that masochism, the real part of the actress' love engagements with the Other, was ignored in favor of the symbolic interpretation of the unconscious and of the transfer taken as a mere repetition of the object relationships, with tragic consequences on the subject.
Analytical act; real; masochism; transfer objectification