This work comes from the relation between poetry and philosophy. It tries to propose a hybrid read of the text "Hegel poeta", in which Haroldo de Campos analyzes Hegel's literary style of writing and changes some extracts of his Phenomenology of Spirit into poems. This perspective - that understands the philosophic text, like literature, as the place of the writing - can be related to a baroque conception: a style, in opposition to Classicism, far from some objectivity. This work approximates the poetry of Campos to neobaroque poets. It also shows some possibilities of contemporary discussion about the limits between poetry and essay.
poetry; philosophy; essay; baroque