POÉTICAS DOCUMENTAIS EM 360 GRAUS: olhares sobre modelos de narrativas esféricas de não-ficção

Apoiando-se na realização de um estudo de casos múltiplos, este artigo analisa quatro produções documentais de formatos diferentes que utilizam fotos e/ou vídeos esféricos: Momento MX, Amazônia em 360 graus, A promessa de Iracema e Reconstruction 360. Dentre as conclusões, pôde-se evidenciar a multifuncionalidade das imagens em 360 graus, a natureza híbrida de narrativas interativas e imersivas de não-ficção e que, mesmo com os novos recursos, a essência do documentário permanece intacta. A partir dos resultados apresentados, espera-se contribuir para o campo da produção e investigação de obras documentais firmadas na tecnologia 360 graus.

Palavras-chave
Comunicação; Documentário; Imagens em 360 graus; Jornalismo imersivo; Narrativas transmídia

Autoria

CAROLINA GOIS FALANDES

research concept and design

development of theoretical discussion

survey and interpretation of data

discussion of results

manuscript writing

review and approval of the final version

Universidade Estadual Paulista, Bauru – SP – Brasil. E-mail: carolina.falandes@unesp.brUniversidade Estadual PaulistaBrasilBauru, SP, BrasilUniversidade Estadual Paulista, Bauru – SP – Brasil. E-mail: carolina.falandes@unesp.br

CAROLINA GOIS FALANDES Doctoral student of the Graduate Program in Communication at the Faculty of Architecture, Arts, Communication and Design, São Paulo State University (FAAC/Unesp). Member of the New Ecology of Media Study Group (GENEM – CNPq). E-mail: carolina.falandes@unesp.br

http://orcid.org/0000-0001-6639-2121

DENIS PORTO RENÓ

development of the theoretical discussion

discussion of results

monitoring and proofreading the manuscript

review and approval of the final version

Universidade Estadual Paulista, Bauru – SP – Brasil. E-mail: denis.reno@unesp.brUniversidade Estadual PaulistaBrasilBauru, SP, BrasilUniversidade Estadual Paulista, Bauru – SP – Brasil. E-mail: denis.reno@unesp.br

DENIS PORTO RENÓ Journalist, photographer and documentary filmmaker. Associate Professor of Ecology of Media and Imagery Narratives, São Paulo State University (Unesp), and permanent professor of the Graduate Program in Communication (Master’s and doctorate) at Unesp. Scientific Director of the Latin American Chair of Transmedia Narratives and chief researcher of the New Ecology of Media Study Group (GENEM – CNPq). Productivity Scholarship PQ2 – CNPq. E-mail: denis.reno@unesp.br

http://orcid.org/0000-0003-0837-4261

Desk Review Editor: Paulo Nuno Gouveia Vicente

CAROLINA GOIS FALANDES

Doctoral student of the Graduate Program in Communication at the Faculty of Architecture, Arts, Communication and Design, São Paulo State University (FAAC/Unesp). Member of the New Ecology of Media Study Group (GENEM – CNPq). E-mail: carolina.falandes@unesp.br

DENIS PORTO RENÓ

Journalist, photographer and documentary filmmaker. Associate Professor of Ecology of Media and Imagery Narratives, São Paulo State University (Unesp), and permanent professor of the Graduate Program in Communication (Master’s and doctorate) at Unesp. Scientific Director of the Latin American Chair of Transmedia Narratives and chief researcher of the New Ecology of Media Study Group (GENEM – CNPq). Productivity Scholarship PQ2 – CNPq. E-mail: denis.reno@unesp.br

SCIMAGO INSTITUTIONS RANKINGS

Figuras

Figuras (8)

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Figure 1
Home page of “Momento MX” interactive documentary

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Figure 2
One of the 360-degree photographic experiences in “Momento MX”

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Figure 3
360 degree image used in a post-photographic report

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Figure 4
360-degree video in a post-photographic report

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Figure 5
Scene from the 360 degree documentary “A promessa de Iracema”

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Figure 6
Images taken at the documentary’s release

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Figure 7
Sections of the interactive documentary available on opening screen

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Figure 8
360 video published in the section “Teaching ourselves”

Figure 1 Home page of “Momento MX” interactive documentary

Martínez-Zárate, P. (Director). (2017)Martínez-Zárate, P. (Diretor). (2017). Momento MX – panorama de las industrias creativas de México [documentary]. Arca. Retrieved from de www.momentomx.com
www.momentomx.com... . Momento MX – panorama de las industrias creativas de México [documentary]. Arca. Retrieved from www.momentomx.com

Figure 2 One of the 360-degree photographic experiences in “Momento MX”

Figure 3 360 degree image used in a post-photographic report

Vitale, P. (2019)Vitale, P. (2019). Amazônia em 360 graus. Veja. Retrieved from https://complemento.veja.abril.com.br/brasil/amazonia-em-360-graus/index.html
https://complemento.veja.abril.com.br/br... . Amazônia em 360 graus. Veja. Retrieved from https://complemento.veja.abril.com.br/brasil/amazonia-em-360-graus/index.html

Figure 4 360-degree video in a post-photographic report

Figure 5 Scene from the 360 degree documentary “A promessa de Iracema”

O Liberal. (2021, September 22)O Liberal. (2021, September 22). A Promessa de Iracema [video]. Retrieved from https://youtu.be/L-HyljsKPQE
https://youtu.be/L-HyljsKPQE... . A Promessa de Iracema Círio O Liberal [video]. Retrieved from https://youtu.be/L-HyljsKPQE

Figure 6 Images taken at the documentary’s release

Note. Images taken from O Liberal. (2021, October 7). The Liberal Group releases virtual reality experience of the Círio de Nazaré [video]. Retrieved from https://youtu.be/6dRNnLLFMQA

Figure 7 Sections of the interactive documentary available on opening screen

South Carolina ETV/National Endowment for the Humanities. (2019-2023)South Carolina ETV/National Endowment for the Humanities. (2019-2023). Reconstruction 360. Retrieved from www.reconstruction360.org
www.reconstruction360.org... . Reconstruction 360. Retrieved from www.reconstruction360.org/

Figure 8 360 video published in the section “Teaching ourselves”

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POÉTICAS DOCUMENTAIS EM 360 GRAUS: olhares sobre modelos de narrativas esféricas de não-ficção

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[1] Desk Review Editor: Paulo Nuno Gouveia Vicente