Using ethnographic data and the description of spatialities at electronic forró dance events in the Cariri (CE) region, we discuss how (in spite of the excessively polarization between male and female in the music and the stage performances at forró dance parties) ethnography and the textualization of its continued presence and dialogue with its audience can shed light on different forms of agency, non-linear hierarchies, and complex spatial transits in this rural environment of "anonymous enactment.
Gender; Spaces; Transit; Eletronic forró; Brazilian northeast
