From the standpoint of the Libertarian Poeticalness, founded on the Marxist semiology and on the Bachelardian imaginary, the concreteness of characters is critically questioned, particularly of those present in comics. The culture of paranoia and narcissism is, thus, studied, as in the case of Batman/Joker. But the humanism of a Ken Parker is also analyzed. The world of comics is related to the language of movies and, in the end, a reflexion is offered, one that in being deeply critical, is equally loving. Within the limits of the Libertarian Poeticalness, of course.
Comics; Movies; Semiotics; Libertarian Poeticalness