The purpose of this essay is to problematize hegemonic politics of subjectivity, imagery, language, attention, body, gender or of sexuality. In dialogue with the film The Secret Life of Words, silence becomes emblematic of the plot Isabel Coixet to force a preposterous thought that dares to produce knowledge on the relationship between science and art. Peering into the sense of questioning the cliché images, especially images of masculinity, the purpose is to use up the analysis of the film to build a territory of experimentation politics and ethics, through which you can populate solitudes, inhabiting silences, draw a map right there where words have a secret force.
politics of subjectivity; image; attencion; body; gender