The main purpose of this paper is to build a critical approach for the theoretical corpus of my doctoral studies on experiencing time through the effect of color in cinema. The paper seeks to establish a relationship between Gilles Deleuze and André Bazin's theories of time. My main goal here is to expose the issues and possibilities I encountered upon confronting semiotic and phenomenological thinking. These concepts lead to multidisciplinarily theories that are necessary to broaden and deepen our analysis. Thus, it was essential to analyze the method and to mix theories of Art and Cinema, using the aesthetic, phenomenological and philosophical points of view of continuous Duration and discontinuous Instants proposed by Henri Bergson and Gaston Bachelard.
cinematographic studies; Gilles Deleuze; André Bazin; duration