Abstract
The experienced memory in certain movies displays strategically affection predications as a prerequisite to research Brazilian film fragments So Hard to Forget (2010), by Malu De Martino. Here, the film discourse exposes the intimacy and instigates the description of the cultural/sexual diversity. Affection, image and memory are the categories listed in the text. Thus, this research was carried out through primary and secondary sources, considering filmic reading with so-called contemporary studies on a theoretical and methodological approach. The results point to traces of body, gender and performance in the diversity discussion in contemporary Brazilian cinema.
Keywords
Affection; Image; Memory; Brazilian Cinema; Contemporary Studies