From the beginning the author demonstrates the importance in poetic discourse of qualitative aspects of perception eliminated by scientific knowledge. The author then shows that the perception of nature as utensils through work has introduced a relationship of externality that has interrupted original subjective participation. He concludes by discussing in terms of an intimate relationship, not of an instrumental participation involving the subject and the object, the Freudian notion of libido's viscosity
Useless; Work; Libido's Viscosity