Philosophical, political or esthetic visions which have contested central paradigms of modernity are traditionally seen as external to modernity itself. This text talks about what modernizing ideology denounces as an antimodern irrationalism which, however, has followed this modernity since its beginning and receives from it, paradoxically, accelerating impulses. Presenting Romanticism, Mystique and Eschatology as companions of technical modernity also means to understand them as historical phenomena which have not handed over the imaginary alternatives to the machine myth, the one constructed by a modernity that wants to forget the dimensions of being and human existence which overflow the factual and the world exposed to manipulation.
Modernity; Romanticism; Mystique; Eschatology