This essay focuses the intimist dramaturgy of the Sweden writer Auguste Strindberg (1849-1912), and its relations with Social Sciences, specially Political Science and Psychoanalysis. Relations between ideology, power, authority and the States's parental responsibility are in the scene. Strindberg's thought and its modernity are considered through the influence on Ingmar Bergman's life in the cinema. The focus is psychoanalysis on extension.
Strindberg; suffering; psychoanalysis on extension