This text concerns aspects developed in our doctoral thesis. Its central themes are image and subjectivation, which will result in another three subjects, such as: work, which implies, in this thesis, an activity; clinic, which involves the formulations of the clinic of activity and the critic and clinical procedures; and last but not least, digital technologies of image, in its potentials of aesthetization of the self and work. Situated in a feminine house shelter destined to women who fulfill penalty in half-open regimen, the research had as general objective the creation of a field of experimentation of prison activity through the implementation of technological resources of digital videography used by the workers of the penitentiary system. A few peculiarities from the activity of the production of images concerning the prison work were explored, what defines a methodological source in the history of this writing. To operate a conceptual tension that would open ways for the construction of possibilities for a clinic of work it was necessary to establish a few theoretical sources, such as the analytical tools from the Philosophy of difference, from ergology and from the clinic of activity, that emphasizes the affirmation of that differs in the plan of thinking and in the course of the work activities. The use of theoretical sources has also the aim of bringing together the plans of the professional attribute, the institutional schemes and the subjectivation.
Work; Clinique; Image; Subjectivation; Working women