Abstract
This paper presents a theoretical investigation of the fundamentals and principles of classical phenomenology as a methodological approach for the study of cultural phenomena. This research is inscribed in the realm of qualitative research in psychology, therefore in the field of psychology of culture. However, in considering the general area of phenomenological studies in psychology, regular criticism of classical phenomenology is observed, questioning some methodological assumptions adopted by Husserl, referring primarily to the works published during his lifetime. Based on contemporary authors dedicated to the study of Husserl´s later works and unpublished manuscripts, the debate around these criticisms is updated to innovate reflections on the empirical application of his phenomenology. As conclusion, some equivalences between phenomenological archeology of culture and genetic phenomenology confers the first methodological guidelines for the study of cultural phenomena.
Keywords:
phenomenology; psychology; Genesis and Culture