GRUA Gentlemen de Rua: modes of production and communication of a creation process in times of crisis

This article examines communicative practices and modes of production in the creation process of the dance and performance group GRUA Gentlemen de Rua, in the period of the 2020 crisis, observing creative procedures that intersect with audiovisual media and the use of cyberspace, investigating whether these relationships are characterized as actions of resistance and reinvention. For this, we discuss documents generated by the Group, such as projects, notes, scripts, films, websites, etc. The theoretical foundation is structured from the critical theory of creation processes by Cecilia Almeida Salles and proposes dialogues with Edgar Morin, Pierre Musso, Zygmunt Bauman, Josette Féral and Vincent Colapietro, among others.

Keywords:
Creation Processes; Crisis; Body Arts; Audio-visual; Communication

Authorship

Wagner Miranda Dias

Pontifícia Universidade Católica de São Paulo - PUC-SP, São Paulo/SP, BrazilPontifícia Universidade Católica de São PauloBrazilSão Paulo, SP, BrazilPontifícia Universidade Católica de São Paulo - PUC-SP, São Paulo/SP, Brazil

Wagner Miranda Dias holds a PhD (CAPES Scholarship) and a Master’s degree (CNPq Scholarship) in Communication and Semiotics, in the research line Processes of Creation in Communication and Culture, from the Pontifícia Universidade Católica de São Paulo (PUC-SP). He is a specialist in Arts History - Theory and Criticism and holds a degree in Visual Arts and Theater. He is a researcher of the Research Group in Creation Processes at PUC-SP (CNPq). He is currently a guest lecturer at the Graduate Program in Creation Processes at the Center for Research in Arts and Communication (CIAC) at the Universidade do Algarve (UALg). ORCID: https://orcid.org/0000-0002-8733-5895 E-mail: wagnerdemiranda@hotmail.com

https://orcid.org/0000-0002-8733-5895

Cecilia Almeida Salles

Cecilia Almeida Salles earned her master’s and doctorate degrees in Applied Linguistics for Language Studies from the Pontifícia Universidade Católica de São Paulo (PUC-SP). Post-doctorate from the Departamento de Cinema, Rádio e Televisão of the School of Communication and Arts of the Universidade de São Paulo (USP). She is a professor in the Graduate Programs in Communication and Semiotics and in Literature and Literary Criticism at PUC-SP and coordinator of the Research Group in Creation Processes. ORCID: https://orcid.org/0000-0003-3826-0142 E-mail: cecilia.salles@gmail.com

https://orcid.org/0000-0003-3826-0142

Wagner Miranda Dias holds a PhD (CAPES Scholarship) and a Master’s degree (CNPq Scholarship) in Communication and Semiotics, in the research line Processes of Creation in Communication and Culture, from the Pontifícia Universidade Católica de São Paulo (PUC-SP). He is a specialist in Arts History - Theory and Criticism and holds a degree in Visual Arts and Theater. He is a researcher of the Research Group in Creation Processes at PUC-SP (CNPq). He is currently a guest lecturer at the Graduate Program in Creation Processes at the Center for Research in Arts and Communication (CIAC) at the Universidade do Algarve (UALg). ORCID: https://orcid.org/0000-0002-8733-5895 E-mail: wagnerdemiranda@hotmail.com

Cecilia Almeida Salles earned her master’s and doctorate degrees in Applied Linguistics for Language Studies from the Pontifícia Universidade Católica de São Paulo (PUC-SP). Post-doctorate from the Departamento de Cinema, Rádio e Televisão of the School of Communication and Arts of the Universidade de São Paulo (USP). She is a professor in the Graduate Programs in Communication and Semiotics and in Literature and Literary Criticism at PUC-SP and coordinator of the Research Group in Creation Processes. ORCID: https://orcid.org/0000-0003-3826-0142 E-mail: cecilia.salles@gmail.com

Availability of research data: the dataset supporting the results of this study is published in this article.

This original paper, translated by Thuila Farias Ferreira, is also published in Portuguese in this issue of the journal.

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Figures

Figures (10)

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Figure 1
Some members of the Grua Gentlemen de Rua.

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Figure 2
Corpos de Passagem.

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Figure 3
Corpos de Passagem 1.

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Figure 4
Corpos de Passagem 2.

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Figure 5
Grua Mirante - Film (1).

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Figure 6
Image from the document Roteiro: Imagens e ações a partir da colaboração criativa coletiva.

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Figure 7
Grua Mirante - Movie (2).

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Figure 8
Grua Navegantes: uma rota de afetos - Film, 2017.

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Figure 9
Corpos de Passagem - Sesc em Casa, 2020.

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Figure 10
GRUA Corpos de Passagem Projeto Europa - Paris, 2011.

Figure 1 Some members of the Grua Gentlemen de Rua.

Source: Photo by Leandro Moraes⁴ 4 Available at: https://grua.gr/#Fotos. Accessed on: 02 Aug. 2022. .

Figure 2 Corpos de Passagem.

Source: Photo by Osmar Zampieri⁷ 7 Available at https://grua.gr/#Fotos. Accessed on: 02 Aug. 2022. .

Figure 3 Corpos de Passagem 1.

Source: YouTube Sesc em Casa (2020).

Figure 4 Corpos de Passagem 2.

Source: YouTube Sesc em Casa (2020).

Figure 5 Grua Mirante - Film (1).

Source: Grua Janela 43 (2022)GRUA Janela 43. Grupo Grua Gentleman de Rua. Direção: Osmar Zampieri. São Paulo, 2022. Disponível em: https://www.youtube.com/watch?v=XlC9VGrXBSk . Acesso em: 11 nov. 2022.
https://www.youtube.com/watch?v=XlC9VGrX... ²¹ 21 Available at https://grua.gr/#Fotos. Accessed on: 02 Aug. 2022. .

Figure 6 Image from the document Roteiro: Imagens e ações a partir da colaboração criativa coletiva.

Source: Collection of the artist.

Figure 7 Grua Mirante - Movie (2).

Source: Grua Janela 43 (2022)GRUA Janela 43. Grupo Grua Gentleman de Rua. Direção: Osmar Zampieri. São Paulo, 2022. Disponível em: https://www.youtube.com/watch?v=XlC9VGrXBSk . Acesso em: 11 nov. 2022.
https://www.youtube.com/watch?v=XlC9VGrX... ²⁵ 25 Available at https://grua.gr/#Fotos. Accessed on: 02 Aug. 2022. .

Figure 8 Grua Navegantes: uma rota de afetos - Film, 2017.

Source: Grua Navegantes (2017)GRUA Navegantes: uma rota de afetos. Grupo Grua Gentleman de Rua. Direção: Osmar Zampieri. São Paulo, 2017.²⁷ 27 Available at https://grua.gr/#Fotos. Accessed on: 02 Aug. 2022. .

Figure 9 Corpos de Passagem - Sesc em Casa, 2020.

Source: Vimeo (print).

Figure 10 GRUA Corpos de Passagem Projeto Europa - Paris, 2011.

Source: Photo by Osmar Zampieri²⁸ 28 Available at https://grua.gr/#Fotos. Accessed on: 02 Aug. 2022. .

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GRUA Gentlemen de Rua: modes of production and communication of a creation process in times of crisis

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[1] Wagner Miranda Dias holds a PhD (CAPES Scholarship) and a Master’s degree (CNPq Scholarship) in Communication and Semiotics, in the research line Processes of Creation in Communication and Culture, from the Pontifícia Universidade Católica de São Paulo (PUC-SP). He is a specialist in Arts History - Theory and Criticism and holds a degree in Visual Arts and Theater. He is a researcher of the Research Group in Creation Processes at PUC-SP (CNPq). He is currently a guest lecturer at the Graduate Program in Creation Processes at the Center for Research in Arts and Communication (CIAC) at the Universidade do Algarve (UALg). ORCID: https://orcid.org/0000-0002-8733-5895 E-mail: wagnerdemiranda@hotmail.com