This research studies the intervention of the group of Argentine artists Asociación Arte Concreto-Invención within the journal Joaquim (1946-1948) of Curitiba. The objective of this paper aims to trace the internationalist postulated involving Argentine abstractionist projects and the reception of these proposals in the Brazilian context. In this line, this paper try to understand the articulation of these new projects into a preexisting regional network and analyze breakdowns and disputes with other Argentine-Brazilian cultural ties.
Avant-Garde; Joaquim Issue; Asociación Arte Concreto-Invención; Abstract Art
