This article intends to relate some important concepts of psychoanalysis, such as the invocatory drive, the pathic experience of the strange, the possibilities of enjoyment and vicissitudes of the drive, based on Psychoanalysis circumscribed by the theoretical field of Freud and Lacan. We comprehend music as an enigmatic poetic of the ineffable and of the unheard that articulates itself short and beyond the signifier. The musical experience can provoke psychic rearrangements, and its unique contagion function can provide the transmission of an unprecedented real mobilizing the field of the drive, being able to promote different vicissitudes to the pathos.
Psychoanalysis; musicality; invocatory drive; pathos