ABSTRACT
The autonomy of the artistic-cultural field with regard to the psychiatric field is a trend that has been strengthened in the Brazilian psychiatric reform, having as historical precursors Osório César and Nise da Silveira. With assistance moving from the hospital to the territory, new issues arise. The article explores the pioneering role of Hans Prinzhorn to address the relationship between art and madness, presenting the main fundamentals of his work.
KEYWORDS
Prinzhorn; Art; Psychiatric reform; Mental health