May 1968 left remarks and references in many insuspicious areas of human knoledge. In this text we try to explore the relationships wich can be established within its statements, especially those conected to a sexual free set of ideas, and how those themes are dealt by the cinema. Films such as Blow Up, Clockwork Orange, Death in Venice, Last tango in Paris, In the Realm of the Senses and Salo are also analised.
May 1968; cinema; sexuality; desire; power; moral