Abstract
This article opens a debate about the transnational circulation and reception conditions of the works as a differential factor in the national literary careers. The main objective is to show in which way the dynamics of translation work as possible resources for recognition and consecration, considering writers positioned on the borders of national symbolic production. The path of the writer José Mauro de Vasconcelos, whose work describes movements between literature and audiovisual from 1950, establishes explanatory relations of high analytical performance with the problematics of the Brazilian production transnational reception. The confluence and the transfer between national canons, aside from approximating the observation scales of the authorship regime, is linked to the sentimental popular literary circulation beyond itself.
Literature and audiovisual; Sentimental popular literature; Transnational literature circulation; Literature and carnival
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