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vol.59 issue139EL ARTE COMO REALIDAD TRASFORMADA EN SU VERDAD. LA REHABILITACIÓN HERMENÉUTICA DE LA ESTÉTICA EN HANS-GEORG GADAMERELEMENTOS DA TEORIA CRÍTICA DA DISSONÂNCIA DE THEODOR W. ADORNO author indexsubject indexarticles search
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Kriterion: Revista de Filosofia

Print version ISSN 0100-512XOn-line version ISSN 1981-5336

Abstract

RUSSO, Caio. TECER IMAGENS ARTÍSTICAS: APARÊNCIA, EXPRESSÃO. Kriterion [online]. 2018, vol.59, n.139, pp.55-76. ISSN 0100-512X.  http://dx.doi.org/10.1590/0100-512x2017n13903cr.

In order to approach the remarkable conceptual constellation that permits us to develop a notion of artistic image in Adorno's aesthetics - although not outstanding in the author's thought, and even less evident than in Walter Benjamin's writings - we depart from the connection between the concepts of “appearance” and “expression”, referring to the material quality of works of art in themselves, from literature to music, for broader theoretical and critical clearness. The intent of highlighting the importance of the concept of artistic image within Theodor W. Adorno's ideas, aims to both update some opaque points within the author's aesthetics and to connect his thought with the debate about the image in contemporary aesthetic theories, mostly in the works of Jacques Rancière and Didi-Hubermann.

Keywords : Artistic image; Theodor W. Adorno; Contemporary Aesthetics; Jacques Rancière; Didi-Huberman.

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