Figure 1
Guilherme de Almeida’s poem dedicated to Wasth Rodrigues with the artist’s own illustration for the magazine A Cigarra, São Paulo, n. 55, November 23, 1916, p. 20. Source: Arquivo Público do Estado de São Paulo.
Figure 2
José Wasth Rodrigues. Quill pen drawing published with an article about the artist himself in O Pirralho, July 13, 1917, p. 1. From left to right: Museu Paulista; Igreja (Church) de São Francisco; Teatro (Theatre) Municipal; tower of Estação da Luz and Igreja (Church) de São Bento. Source: Hemeroteca Digital/Biblioteca Nacional Digital, Rio de Janeiro.
Figure 3
José Wasth Rodrigues, Cristo morto (Dead Crist). Awarded with a small gold medal in the first Salão Paulista de Belas Artes. Source: 1st Salão Paulista. “Suplemento em rotogravura”. A Noite Ilustrada, Rio de Janeiro, March 14, 1934, p. 3. Hemeroteca Digital/Biblioteca Nacional Digital, Rio de Janeiro.
Figure 4
José Wasth Rodrigues, Esta he a carta verdadeira da revolução q houve no Estado de São Paulo no ano de MCMXXXII (This is the true account of the revolution that happened in the State of São Paulo in the year of MCMXXXII). São Paulo, SP, [1932?]. map, il. col, 48.5 x 68.4 cm. Collection of Biblioteca Nacional, Rio de Janeiro.
Figure 5
Page of the official letter from Afonso d’Escragnolle Taunay to Paulo Prado regarding the donation of the Automóvel Club, December 2, 1925TAUNAY, Afonso d’Escragnolle. [ Correspondência]. Destinatário: Paulo Prado. São Paulo, 11 dez. 1925. Pasta 125.. Source: SVDHICO - Folder 125.
Figure 6
José Wasth Rodrigues. Dama paulista, 1808, undated., oil on canvas, 61.5 x 46 cm. Collection of Museu Paulista of Universidade de São Paulo. Reproduction: Helio Nobre; José Rosael. RG 1-19355-0000-0000.
Figure 7
Traje das paulistas, c.1808; color print by Lazaretti. Source: John Mawe. Viaggio nel interno del Brasile, e particolarmente nei distretti dell'oro e dei diamanti, fatto nel 1809-10 con permesso speciale del Principe Reggente del Portogalo, 1817, p. 139.
Figure 8
Cristovão Lopes [attributed]. Retrato de D. João III, rei de Portugal e Algarves (Portrait of John III of Portugal and the Algarves), circa 1565-1570, oil on wood, approximately 175 x 85 cm. Collection of Museu Nacional de Arte Antiga de Lisboa, Portugal.
Figure 9
Cristovão Lopes [attributed]. D. João III, circa 1550-1560, oil on wood, 65 x 50.5 cm. Collection of Museu de São Roque/Santa Casa da Misericórdia de Lisboa, Portugal.
Figure 10
José Wasth Rodrigues. Retrato de D. João III, [1932RODRIGUES, José Wasth. Orçamento para a confecção do painel de João Ramalho. São Paulo, 15 set.1932. Pasta 146.], oil on canvas, 142 x 142 cm. Collection of Museu Paulista of Universidade de São Paulo. Reproduction: Helio Nobre; José Rosael. RG 1-19505-0000-0000.
Figure 11
Drawing Martim Afonso de Souza in José Maria Delorme Colaço’s publication, Galleria dos vice-reis, e governadores da India portugueza dedicada aos illustres descendentes de taes heroes, 1841.
Figure 12
Roque Gameiro. Martim Afonso de Souza. Reconstitution based on the portrait of the gallery of the governors of Portuguese India in Goa, Portugal. Source: História da colonização portuguesa do Brasil, volume III, p. 113.
Figure 13
José Wasth Rodrigues. Retrato de Martim Afonso de Souza, [1932RODRIGUES, José Wasth. Orçamento para a confecção do painel de João Ramalho. São Paulo, 15 set.1932. Pasta 146.], oil on canvas, 142 x 142 cm. Collection of Museu Paulista of Universidade de São Paulo. Reproduction: Helio Nobre; José Rosael. RG 1-1956-0000-0000.
Figure 14
D. João III from a painting by Wasth Rodrigues to Museu Paulista in an issue dedicated to the 4th Centenary of São Vicente. “Supplemento em rotogravura” - O Estado de S. Paulo, n° 26, 2nd year, January 30, 1932, p. 7. Source: Collection of IEB-USP - Fund Aracy de Carvalho Guimarães Rosa.
Figure 15
Martim Afonso de Souza, drawing of Wasth Rodrigues in an issue dedicated to the 4th Centenary of São Vicente. “Supplemento em rotogravura” - O Estado de S. Paulo, n° 26, 2nd year, January 30, 1932, p. 3. Source: Collection of IEB-USP - Fund Aracy de Carvalho Guimarães Rosa.
Figure 16
Quotation by Wasth Rodrigues for the making of the panel of João Ramalho, September 15, 1932RODRIGUES, José Wasth. Orçamento para a confecção do painel de João Ramalho. São Paulo, 15 set.1932. Pasta 146. (SVDHICO - Folder 146).
Figure 17
Official letter from Taunay to Wasth Rodrigues, providing the guidelines for the progress of the works concerning the panels of João Ramalho and Jorge Tibiriçá, June 21, 1933 (SVDHICO - Folder 148).
Figure 18
José Wasth Rodrigues. João Ramalho e filho, [1934], oil on canvas, 231 x 145 cm. Collection of Museu Paulista of Universidade de São Paulo. Reproduction: Helio Nobre; José Rosael. RG 1-19508-0000-0000.
Figure 19
José Wasth Rodrigues. Cacique Tibiriçá e neto, [1934], oil on canvas, 231 x 145 cm, collection of Museu Paulista of Universidade de São Paulo. Reproduction: Helio Nobre; José Rosael. RG 1-19507-0000-0000.
Figure 20
Peristyle of Museu Paulista: the four panels by Wasth Rodrigues placed and, to the right, the sculpture by Luigi Brizzolara, Antonio Raposo Tavares, between 1934 and 1937, black and white photograph, 17.6 x 23.5 cm. Collection of Museu Paulista of Universidade de São Paulo. Reproduction: Helio Nobre; José Rosael. RG 1-00286-0000-0000.
Figure 21
João Ramalho, drawing by Wasth Rodrigues in an issue dedicated to the 4th Centenary of São Vicente. “Supplemento em rotogravura” - O Estado de S. Paulo, n° 26, 2nd year, January 30, 1932, p. 9. Source: Collection of IEB-USP - Fund Aracy de Carvalho Guimarães Rosa.
Figure 22
Tibiriçá, drawing by Wasth Rodrigues in an issue dedicated to the 4th Centenary of São Vicente. “Supplemento em rotogravura” - O Estado de S. Paulo, n° 26,2nd year, January 30, 1932, p. 9. Source: Collection of IEB-USP - Fund Aracy de Carvalho Guimarães Rosa.
Figure 23
Postage stamp costing 100 RS commemorating the 4th Centenary of the foundation of São Vicente and Colonization by Martim Afonso de Souza (it did not circulate). Emission date: June 3, 1932. Private collection.
Figure 24
Commemorative CR$ 0.60 postage stamp of the 4th Centenary of Santo André, São Paulo (not circulated). Emission date: April 8, 1953. Private collection
Figure 25
Coat of arms of São Vicente, 1932, gouache and watercolor on paper, 31 x 33 cm. Collection of Museu Paulista of Universidade de São Paulo. Reproduction: Helio Nobre; José Rosael. RG 1-10551-0000-0000.
Figure 26
Jean Luciano. Retrato de Martim Afonso de Souza (copy of the original by José Wasth Rodrigues), 1975, oil on canvas, 150 x 150 cm. Collection of Prefeitura de Cubatão. Reproduction: Welington Ribeiro Borges.