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vol.33 número96DIREITOS HUMANOS E DEMOCRACIA: A EXPERIÊNCIA DAS COMISSÕES DA VERDADE NO BRASILNOTAS ETNOGRÁFICAS SOBRE DUAS MANIFESTAÇÕES DE RUA DO ATIVISMO TRANS NO BRASIL índice de autoresíndice de assuntospesquisa de artigos
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Revista Brasileira de Ciências Sociais

versão On-line ISSN 1806-9053

Resumo

ROVAI, Mauro Luiz. FORMS OF EXPRESSION OF THE PAST IN FILMS BY ALAIN RESNAIS: SOCIOLOGICAL APPROACHES. Rev. bras. Ci. Soc. [online]. 2018, vol.33, n.96, e339615.  Epub 05-Mar-2018. ISSN 1806-9053.  http://dx.doi.org/10.17666/339615/2018.

This paper presents a substantial part of the results from a broader investigation project about three movies by French filmmaker Alain Resnais (1922 – 2014). Here, my interest is to peer into a specific question, namely, how the ways the past is expressed in the present have been constructed in Nuit et brouillard (Night and fog), Hiroshima mon amour (Hiroshima my love) and La guerre est finie (The war is over) – films that in the own way, refer to striking events in the 20th century. Thus raised, the question allows us to elaborate on the temporal dimension found in those films without making it necessary to discuss the issue of memory, and, at the same time, it allows the analyses to start with the films in themselves. Consequently, the method utilized in this study gives priority to the very form of producting meaning in the films. Special highlight is given to the way their expressive elements are combined (for example, images, sounds, dialogues, gestures, etc.).

Palavras-chave : Sociology; Cinema; Film analysis; Expressions of the past; Alain Resnais.

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