Abstract
The social protest that engulfed Italy in the 1970s found a theoretical analysis in the work of the operaisti. Through a series of concepts, they outlined a new revolutionary practice that aimed to return to a more authentic reading of Marxism. This article focuses on the notion of 'refusal of work' and the ancillary concept of 'appropriation' and examines how these theoretical tools emerged out of radical protest in factories and were put forward by the operaisti as a central plank of a revolutionary strategy for the working class.
Keywords:
radical politics; marxist theory; Operaismo; social protest; Italy