SciELO - Scientific Electronic Library Online

vol.17 issue3A"arma da cultura" e os "universalismos parciais" author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand




Related links



Print version ISSN 0104-9313


SOBRAL, Luís Felipe. O beijo de Spade: gênero, narrativa, cognição. Mana [online]. 2011, vol.17, n.3, pp.625-652. ISSN 0104-9313.

This article is an initial elaboration of the screen persona of the American actor Humphrey Bogart at the film The Maltese Falcon of 1941. I argue that the notion of the Hollywoodian person produces the mediation between the image of the artist and his/her social trajectory. It is a kind of symbolic power, capable of establishing the artist within the structure of cinematographic production. In this manner, I use a scene from the The Maltese Falcon to relate the two analytical axes of this argument: on the one hand, the sign of gender that characterizes Bogart's persona, alternating between apparent indifference and sudden vulnerability; on the other, the visual culture - unthinkable as separated from a local social experience - a symbolic dimension that constrains the geometry of the eyes (audience, camera, cast). My narrative searches through a series of clues collected from various sources (films, literature, biographies, historiography), sharing with the Hollywoodian classic its most characteristic trait: the detective mode of knowledge.

Keywords : Humphrey Bogart (1899-1957); Hollywood; Gender; Notion of person.

        · abstract in Portuguese     · text in Portuguese     · Portuguese ( pdf epdf )


Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License