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vol.12 número24Multisensorialidade e sinestesia: poéticas possíveis?A dobra schumanniana: transitividade e intermeios. índice de autoresíndice de assuntospesquisa de artigos
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ARS (São Paulo)

versão impressa ISSN 1678-5320versão On-line ISSN 2178-0447

Resumo

SOGABE, Milton Terumitsu. False interface as poetic resort in interactive artwork. ARS (São Paulo) [online]. 2014, vol.12, n.24, pp.62-69. ISSN 1678-5320.  https://doi.org/10.11606/issn.2178-0447.ars.2014.96738.

The concept of "false interface" is born of the observation and production of interactive installations mediated by digital technology. The "false interface" is not a technological interface that allows the public to interact with a digital system, but it is a poetic resource, generally an apparatus or craft object with which the public interacts with the artwork, which is a system. The "false interface" presents a physical relationship, a connection with the technological interface. The playfull audience relates with the false interface and technological interface goes unnoticed in the background, although it captures and send it to the system the public performance.

Palavras-chave : interface; poetics; interactivity.

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