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vol.12 número24Falsa interface como recurso poético na obra interativaA retórica procedimental como agente de articulação entre identidade e alteridade. índice de autoresíndice de assuntospesquisa de artigos
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ARS (São Paulo)

versão impressa ISSN 1678-5320versão On-line ISSN 2178-0447

Resumo

OLIVEIRA, Branca de; ZANI, Heloisa  e  ZANI, Amilcar. The schumannian warp: transitivity and intermedium. ARS (São Paulo) [online]. 2014, vol.12, n.24, pp.70-81. ISSN 1678-5320.  https://doi.org/10.11606/issn.2178-0447.ars.2014.96739.

the schumannian warp is a concert-installation consisting of video and piano performances on a specific environment. The video compositions are simultaneously projected on the sidewalls, as well on a special screen, which involves a circular stage where the piano is placed. Through digital processing in real time, the images of the musical performance are merged to a pre-edited video mapped projection. Not only to render the consonance of multiplicities of Schumann's work with the procedural esthetic paradigm that characterizes the contemporary world, this video composite combines the artistic expression of piano and video performances with the practice of organized research and critic studies continuously renewed, enhancing the contemporaneity of propositions created by the culture geniuses Robert and Clara Schumann, and Johannes Brahms. Thereby, the schumannian warp confirms the modernity of poetic works distant in time.

Palavras-chave : art-research; interdisciplinarity; multiplicity; music/video; interactivity.

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