ABSTRACT
This article revisits the dialogic and polyphonic perspective that is established between Pushkin's and Conrad's works and sets interrelations that are based on the works' intersubjectivity and social attitudes. The theoretical and cultural perspective is a key factor to establish some relationships that enable a dialogue between genres, cultures, issues of multicultural situations, times and customs, which make possible the comparison between the multiplicity of levels of a semiotics of culture expressed in Ridley Scott's work and some references to Dostoyevsky's work.
KEYWORDS:
Dialogic Perspective; Postmodernity; Multiculturalism