LATEMO-E: A Film Database to Elicit Discrete Emotions and Evaluate Emotional Dimensions in Latin-Americans

Michelini, Yanina; Acuña, Ignacio; Guzmán, Juan Ignacio; Godoy, Juan Carlos

doi:10.9788/TP2019.2-13

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Article • Trends Psychol. 27 (2) • Apr-Jun 2019 • https://doi.org/10.9788/TP2019.2-13 copy

LATEMO-E: A Film Database to Elicit Discrete Emotions and Evaluate Emotional Dimensions in Latin-Americans

LATEMO-E: Banco de Dados de Filmes para Suscitar Emoções e Avaliar Dimensões Emocionais para Latino-Americanos

LATEMO-E: Set de Fragmentos de Películas para Inducir Emociones y Evaluar Dimensiones Emocionales en Latinoamericanos

Authorship SCIMAGO INSTITUTIONS RANKINGS

Abstract

Introduction:

Film clips are the most used stimuli to induce different emotional states.

Objective:

Identify, select, and evaluate a set of film clips according to dimensionality and discreteness of emotions. Film experts suggested 437 fragments, but only 70 met the criteria to be included in the LATEMO-E film-clip database. Study 1: The 70 film clips were tested for their ability to induce disgust, anger, fear, sadness, amusement, tenderness, and neutral (n = 147 participants; mean age = 20.64 years, SD ±2.21 years).

Results:

A total of 28 film clips presented adequate scores on intensity and discreteness. Study 2: A total of 28 selected film clips were assessed again in a new sample of 106 participants (mean age = 20.96 years, SD ±2.45 years).

Results:

Anger and amusement film clips were the most extreme in the valence and activation dimensions. Anger and fear film clips were the most extreme categories in the intensity, certainty, and control dimensions.

Conclusions:

These stimuli were useful for inducing emotional states that can be judged from both the dimensional perspective of emotions and the basic emotions perspective. Evoked emotions could be differentiated according to cognitive patterns of evaluation that guide behavior in response to emotional stimulation.

Keywords:
Film database; emotion elicitation; discrete emotions

		VAS (%)	SAM (%)			CED (%)	CED Target Label × CED Emotional Label
Emotion	Film Clip (Abbreviation)	Target Emotion	Valence	Arousal	Control	Target Label	Disgust	Anger	Fear	Sadness	Amusement	Tenderness
DISGUST	Planet Terror (PTE)	79	68	90	58	89		.00	-.02	.02	.03	.00
	The Human Centipede II (ECHII)	83	78	96	67	78		.15^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.11	.12^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.04	.00
	Slumdog Millionaire (QQM)	65	35	80	50	60		.00	-.02	.06	.06	-.03
	Kynódontas (COL)	65	90	85	65	55		-.02	.05	.08	.00	.00
	Inglorious Bastards	40	73	80	27	54		.01	.00	-.07	-.01	.00
	Dumplings	15	20	30	25	15		.02	-.06	.07	.02	-.07
	Black Swan 1	90	65	90	65	10		.05	.35^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.03	.20	.02
	Black Swan 2	87	33	10	67	34		.05	.06	.23^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.13	.08
	El Laberinto Del Fauno	60	40	60	20	47		.00	.10	.01	-.08	-.05
	Hostel	80	73	87	67	54		.25^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.03	.09	.03	.00
ANGER	Irréversible (IRR)	84	100	100	53	84	.13		.10	.19^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00	.00
	Django Unchained (DJA)	93	87	93	73	74	.20		.07	.33^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.05	-.07
	The Kite Runner (CEC)	90	85	90	65	70	.18^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.		.11^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00	.00	.00
	12 Years a Slave 2 (12A2)	70	95	90	75	65	.11		-.02	.18	.00	.00
	12 Years a Slave 1	85	100	85	50	35	.15		.08	.10	.00	.13
	Taken	60	45	75	60	40	.02		.13	.32^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00	-.06
	Carrie	68	53	53	37	32	-.01		.02	.14	.06	.01
	All Is Lost	67	67	61	50	18	.00		.05	-.01	.18	.02
	Gladiator	79	73	74	42	12	.09		.27^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.02	-.07	-.08
	Man on Fire	65	40	60	35	20	.03		.02	.13	-.06	.00
FEAR	The Conjuring 2 (CON2)	100	80	100	87	93	.00	.00		.00	.00	.00
	The Conjuring 3 (CON3)	75	81	94	63	69	.00	.00		.03	.02	.00
	Mirrors (ESI)	93	86	93	67	67	-.01	-.03		-.07	-.01	-.01
	The Conjuring 4 (CON4)	93	71	100	79	64	-.04	-.01		.01	.10	.11^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.
	The Conjuring 1	65	60	95	60	55	.00	-.01		.00	.05	.00
	The Descent	65	50	70	65	30	.19	.02		.03	-.13	.01
	The Rite	81	50	88	50	44	.09	-.05		.15	.06	.10
	The Woman In Black	61	45	61	33	28	.00	-.14		-.08	.02	.00
	Insidious 1	83	60	96	61	56	.00	-.01		.03	.07	-.02
	Insidious 2	75	60	85	65	40	.01	.16^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.		.07	.06	.00
SADNESS	The Boy in the Striped Pajamas (NPR)	90	90	95	55	85	-.03	.09	.01		.00	.08^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.
	My Sister's Keeper (DMD)	89	73	90	47	74	-.01	.00	.11		.00	.10
	Never Let Me Go (NMA)	75	45	80	50	70	.00	-.04	-.03		-.01	-.02
	The Impossible (LIM)	85	75	75	70	65	.01	-.01	-.03		-.06	-.04
	12 Years a Slave 3	65	50	70	35	60	.00	.06	-.01		.00	.02
	(500) Days of Summer	74	11	63	47	21	.02	.12	.00		-.06	-.04
	The Notebook 2	83	35	83	44	50	.00	.02	-.03		-.01	.06
	Interstellar	85	75	85	65	55	.00	.01	-.02		-.03	.07
	Mystic River	60	40	60	45	45	-.02	-.02	.00		-.01	-.04
	Et maintenant. on va où?	60	60	40	27	33	.06^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.06	.01		.05	-.03
AMUSEMENT	The Hangover Part III (QPAIII)	87	92	88	50	83	-.02	-.01	-.02	.00		-.04
	Blended (LMF)	85	90	100	35	80	.00	.00	.00	.00		-.03
	The Hangover (QPAI)	60	72	68	24	76	-.02	03	-.01	.00		.00
	The Proposal (LPR)	78	96	83	44	67	.00	.03	.00	.00		.12
	A Dirty Shame	91	61	83	44	64	.06	.01	.04^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.03		.02
	Anchorman: The Legend Continues	60	76	72	48	54	-.01	.02	.00	.00		.07
	The Heat	64	76	72	44	64	-.01	.00	.00	.00		.00
	Bridesmaids	82	72	64	32	66	-.01	.01	.05^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00		.00
	Napoleon Dynamite	65	75	55	35	65	.04^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.02	.00	.03		.03
	Easy A	74	61	70	44	61	-.01	-.04	.00	.00		.05
TENDERNESS	Pride and Prejudice (OYP)	65	78	61	44	70	.00	.00	.00	-.04	.04
	Les Choristes (LCO)	61	58	58	42	65	.00	-.01	.00	.02	.02
	He's Just Not that Into You (SNQ)	79	72	86	38	55	.00	.04	-.01	.00	.06
	The Notebook (DUP1)	70	65	80	50	50	.06	-0.11	-.05	-.05	.11
	Her 2	53	40	53	83	30	.04	-0.01	.00	.02	.13
	Her 3	47	42	63	26	42	.00	.00	.05^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.04	.05
	And So It Goes	52	48	52	32	20	.00	-.04	.01	.04	.33^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.
	Catch and Release	37	4	46	25	8	.00	-.08	-.02	.22^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.11
	Paris. je t'aime	52	60	40	20	44	.00	.00	-.01	-.02	.02
	Only Lovers Left Alive 2	46	67	42	33	42	.00	.00	.00	.00	.22^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.

		VAS (%)	SAM (%)			Emotional Targets CED (%)
Emotion	Film Clip (Abbreviation)	Target Emotion	Valence	Arousal	Control	Disgust	Anger	Fear	Sadness	Amusement	Tenderness	Anxiety	Bewilderment
NEUTRAL	Her 1 (ELL1)	75	75	62	87	100	96	92	88	83	92	83	71
	Holy Motors (HMO)	96	92	76	76	100	100	100	100	100	96	88	64
	La Vie d'Adele (VDA)	96	100	72	72	100	100	100	96	92	100	76	68
	Samsara (SAM)	68	64	52	68	100	100	100	100	88	88	76	68
	Amelie	72	68	64	60	100	100	100	100	72	84	56	40
	Master and Commander	72	52	72	80	100	100	100	96	68	96	92	80
	The Bourne Legacy	60	84	56	64	100	100	92	92	84	100	60	56
	La Grande Bellezza	96	79	67	92	100	100	100	100	88	100	83	54
	Ingen Numsil - Die Geschichte vom weinenden Kamel	86	92	69	65	100	97	97	97	100	86	83	52
	Only Lovers Left Alive 1	96	88	76	84	100	100	100	100	88	100	80	52

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