SciELO - Scientific Electronic Library Online

 
vol.1 número1Comentário VTransformações do espaço habitacional ocorridas na arquitetura brasileira do século XIX índice de autoresíndice de assuntospesquisa de artigos
Home Pagelista alfabética de periódicos  

Serviços Personalizados

Journal

Artigo

Indicadores

Links relacionados

Compartilhar


Anais do Museu Paulista: História e Cultura Material

versão impressa ISSN 0101-4714

An. mus. paul. vol.1 no.1 São Paulo  1993

http://dx.doi.org/10.1590/S0101-47141993000100008 

DEBATES

 

Sob o signo da comentadores História: resposta a meus comentadores

 

 

Eduardo Neiva

University of Alabama at Birmingham Universidade Federal Fluminense

 

 

Texto completo disponível apenas em PDF.

Full text available only in PDF format.

 

BIBLIOGRAFIA GERAL

BAINES, Jo. Communication and display: the integration of early Egyptianart and writing. Antiquity, v. 63, p. 471-82, 1989.         [ Links ]

BAINES, Jo. Literacy, social organization and the archeological record: thecase of early Egypt, 1988. In: State and society: the emergence and development of social hierarchy and political centralization edited by John Gledhill, Barbara Bender and Morgens Trolk Larsen. London, Unwin Hyman.         [ Links ]

BAINES, Jo. Literacy and Ancient Egyptian Society. Man, v. 18, p. 572-599, 1983.         [ Links ]

BLAZER, Kent. Clues, myths and the historical method (book review). The Historian, v. 53, p.541-2, 1991.         [ Links ]

BURKE, Peter. Miti, emblemi, spie: morfologia e storia (book review). Journal of Modern History, v. 62, p. 108-10, 1990.         [ Links ]

CARDOSO, Ciro Flamarion Santana. Semiótica, História e classes sociais, 1988. In:Ensaios racionalístas. Rio, Campus, p. 61-92.         [ Links ]

CASSIRER, Ernest. The phílosopby of symbolíc forms. vou: Language. New Haven, Yale University Press, 1955a.         [ Links ]

CASSIRER, Ernest. The phílosophy of symbolíc forms. vol. 2: Mythical thought. New Haven, Yale University Press, 1955b.         [ Links ]

CHARTIER, Roger. O mundo como representação. Estudos Avançados, v. 11, n. 5, p. 173-191, 1991.         [ Links ]

OEMOLEN, Richard L. Clues, myths and the historical method (book review). The Síxteenth Century journal, v. 21, n. 4, p. 739-40.         [ Links ]

DEREGOWSKI, Jan B. Difficulties in pictorial depth perception in Africa. Journal of Psychology, v. 59, n. 3, p. 195-204, 1968.         [ Links ]

OUTOIT, Brian M. Pictorial depth and linguistic re1ativity. Psychologia Africana, v. 11, p. 51-63, 1966.         [ Links ]

FARAH, Martha J. The neurological basis of mental imagery: a componential  analysis. Cognition, v. 18, p. 245-72, 1984.         [ Links ]

GENTRY, George V. Some comments on Morris's c1ass conception of the de si gnatum. The Journal oi Philosophy, v.41, p.376-84, 1941.         [ Links ]

GIBSON, James J. The information available in pictures. Leonardo, v.4, n.2, p. 235, 1971.         [ Links ]

GINZBURG, Carlo. Montrer et citer: la verité de l'histoire. Le Débat, v. 56, n. 43, p.54, 1989b.         [ Links ]

GINZBURG, Cado. Checking the evidence: the judge and the historian. Critical Inquiry, v. 18, p. 79-92, 1991.         [ Links ]

GOMBRICH, EH. The "what" and the "how": perspective representation and the phenomenal world. In: logic and art: essays in honor oi Nelson Goodman, edited by Richard Rudner & Israel Scheffler. Indianapolis and New York, Bobbs-Merill, 1972.         [ Links ]

GOMBRICH, EH. Mirror and map: theories of pictorial representation. In: Philosophical Transactions of the Royal Society of London, v. 270, p. 119-149, 1975b.         [ Links ]

GOMBRICH, EH. Drawings from Andem Egypt, by William H. Peck (book review). The journal of Egyptian Archeology, v. 69, p. 192-3, 1983.         [ Links ]

GOMBRICH, EH. Representation and misrepresentation. Critical Inquiry, v. 11, p. 195-201, 1985.         [ Links ]

GOMBRICH, EH. Voir la nature, voir les peintures. Cahiers du Musée National d'Art Moderne, v. 24, p. 21-43, 1988.         [ Links ]

GOMBRICH, EH. Additional thoughts on perspective. The journal of Aesthetics and Art Criticiam, v.51, n. 1, p. 69, 1993.         [ Links ]

GOULD, Stephen Jay. A escada e o cone: iconografias do progresso. In: Vida Maravilhosa: o acaso na evolução e a natureza da história. São Paulo, Companhia das Letras, 1990.         [ Links ]

HERLIHY, David. Clues, myths and the historical method (book review). Journal of interdisciplinary History, v.21, p.501-2, 1991.         [ Links ]

HOCHBERG, Julian Brook. Virginia recognition as an unlearned ability: a study of one child's performance. American journal of Psychology, v. 75, p.624-8, 1962.         [ Links ]

HUDSON, W. Pictorial depth perception in sub-cultural groups in Africa. Journal of Social Psychology, v. 52, p.183-208, 1960.         [ Links ]

HUDSON, W. Pictorial perception and educational adaptation in Africa. Psychologia Africana, v. 9, p. 226-239, 1962a.         [ Links ]

HUDSON, W. Cultural prob1ems in pictorial perception. South African journal of Science, v.58, p. 189-95, 1962b.         [ Links ]

INGOLD, Tim. Epilogue: Technology, Language, intelligence. A reconsideration of basic concepts. In: gibson & gold orgs, p. 447-449, 1993.         [ Links ]

IVERSEN, Margaret. Style as structure: Alois Riegl's historiography. Art History, v.2, n.1, p. 62-72, 1972.         [ Links ]

KANT, Immanuel. Ideas of a Universal History from a cosmopolitan point of view. In: Theories of History, edited by Patrick Gardinér, Glencoe, The Free Press, 1959.         [ Links ]

KEIN, Philip J. Kant's polítical theory and philosophy of history. Clio, v. 18, n.4, p. 325-45, 1989.         [ Links ]

KOSSLYN, Stephen M. Aspects of a cognitive neuroscience of mental imagery. Science, v.240, p.1621-26, 1988.         [ Links ]

KRIEGER, Murray. The ambiguities of representation and illusion: an E.H.Gombrich retrospective. Critical lnquiry, v. 11, p. 181-94, 1984.         [ Links ]

KRIEGER, Murray. Optics and aesthetic perception: a rebuttal. Critical Inquiry, v. 11, p.502-8, 1985.         [ Links ]

KUSPIT, Donald. Traditional Art History's complaint against linguistic analysisof visual arts. The journal of Aesthetics and Art Criticism, v. 45, p. 345-9, 1987.         [ Links ]

LEACH, M.L. The effect of training on the pictorial depth perception of Shona children. Journal of Cross-Cultural Psycology, v. 6, n. 4, p. 457-70, 1975.         [ Links ]

LEVI, Giovanni. Les usages de la biographie. Annales ESC, v.6, p. 1325-36, 1989.         [ Links ]

LURIA, Keith. The parado xi cal Cado Ginzburg. Radical History Review, v.35, p. 80-7, 1986        [ Links ]

MARTIN, John. Cado Ginzburg: storia notturna: una decifrazione del Sabba (book review). Speculum, v. 67, p. 148-50, 1992.         [ Links ]

NUGENT, Christopher. Ecstasies: deciphering the witches Sabbath, by Carlo Ginzburg (book review). The Historian, v.54, p. 711-2, 1992.         [ Links ]

PACHT, Otto. Panofsky's Early Netheriandish Painting-II. Burlington Magazine, v.98, p. 267-79, 1956.         [ Links ]

PENDELA CANlZAL, Eduardo. A visual metaphor of the Femina Amara. In: Exigences et perspectives de Ia sémiotique, edited by H Parret & HG Ruprecht, Amsterdam/Philadelphia, John Benjamins, p. 611-23, 1985.         [ Links ]

PENDELA CANIZAL, Eduardo. Visual illusions and intratextuality in Picasso's Picasso. Semiotica, v.81, n. 3/4, p. 259-275, 1990.         [ Links ]

SCHUTTE, Anne Jacobson. Storia notturna: una decifrazione dei Sabba, byCarlo Ginzburg (book review). Journal of Modern History, v. 64, p. 575-6, 1992.         [ Links ]

SERCOVICH, Armando. Presentación. In: PEIRCE, Charless. La Ciencia de la Semiótica. Buenos Aires, Nueva Vision, 1974.

SOARES, Lícia. A imagem vista através das tricoto mias peirceanas. Comunicação & Sociedade, v.17, p. 115-128, 1991.         [ Links ]

SOPPELSA, Robert T. Western art-historical methodology and Mrican art: Panofsky's paradigm and Ivorian Mma. Art journal, v.47, p. 147-53, 1988.         [ Links ]

STERN, Paul. The problem of history and temporality in Kantian ethics.Review of Metaphysics, v.39, p.505-45, 1986.         [ Links ]

STERN, Randolph. Vendo a cultura numa sala para um príncipe renascentista. In: HUNT, Lynn orgs, 1992.         [ Links ]

SUMMERS, David. Conventions in Art History. New Literary History, v.13, n. 1, p. 103-123, 1981.         [ Links ]

THOM, René. Les mathématiques et l'intelligible. Dialectica, v.29, p.71-80, 1975.         [ Links ]

 

 

Creative Commons License Todo o conteúdo deste periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons