Reflexões sobre a cor na conservação/restauração

Paula, Teresa Cristina Toledo de

doi:10.1590/S0101-47141999000100007

Resumos

Este texto apresenta algumas possibilidades de pesquisa do tema Cor dentro das áreas de conservaçÃo/restauraçÃo de bens móveis. SÃo apresentados alguns exemplos do tema Cor relacionado aos tecidos e às artes contemporâneas. Questões específicas à Arquitetura nÃo sÃo abordadas.

Conservação; Restauração; Cor; Tecidos no Brasil

This paper presents some research possibilities related to Colour as a main issue. Some examples of the study of colour in textiles and modern art are given. Architecture related issues are not covered.

Conservation; Restoration; Colour; Textiles in Brazil

CONSERVAÇÃO E RESTAURAÇÃO

Reflexões sobre a cor na conservação/restauração¹ 1 Este texto foi originalmente produzido como trabalho final da disciplina de pós-graduaçÃo Reflexões sobre a cor, ministrada em 2000 pelo Prof. Dr. Marco Gianotti do Departamento de Artes Plásticas da ECA/USP.

Reflection about colour in conservation/restoration

Teresa Cristina Toledo de Paula

Museu Paulista da USP

RESUMO

Este texto apresenta algumas possibilidades de pesquisa do tema Cor dentro das áreas de conservaçÃo/restauraçÃo de bens móveis. SÃo apresentados alguns exemplos do tema Cor relacionado aos tecidos e às artes contemporâneas. Questões específicas à Arquitetura nÃo sÃo abordadas.

Palavras-chave: Conservação. Restauração. Cor. Tecidos no Brasil.

ABSTRACT

This paper presents some research possibilities related to Colour as a main issue. Some examples of the study of colour in textiles and modern art are given. Architecture related issues are not covered.

Keywords: Conservation. Restoration. Colour. Textiles in Brazil.

Texto completo disponível apenas em PDF.

Full text available only in PDF format.

Artigo apresentado em 6/2003. Aprovado em 10/2003.

BACHMANN, Konstanze. Conservation concerns. A guide for collectors and curators. Nova York: Cooper-Hewitt National Museum of Design- Smithsonian Institution, 1992.
BURKHARDT, Frederick (Ed.). As cartas de Charles Darwin Uma seleta, 1825-1859. SÃo Paulo: UNESP, 2000. p. 282.
CONSTANTIN, Stéphanie. The Barbizon Painters: A Guide to their suppliers. Studies in Conservation, Londres, n. 46, p. 49-67, 2001. The Journal of the International Institute for Conservation of Historic and Artistic Works, p. 52
CRONYN, Janey. The elements of archaeological conservation London: Routledge, 1990.
EARNSHAW, Pat. Bobbin & Needle Laces: identification & care. London: B&T Batsford, 1983.
FERRETTI, Marco. Scientific investigations of works of art Roma: ICCROM, 1993.
GAGE, John. Colour and culture: Practice and meaning from Antiquity to Abstraction. Londres: Thames & Hudson, 1999.
______. Colour ans meaning: art, science and symbolism. London: Thames&Hudson, 2001.
GUINEAU, Bernard. Acquisition et traitement de donées colorimétriques; aplication à l'étude de la teinture des textiles. In la conservation des textiles anciens. Journées d'études de la SFIIC, p. 53-68, Angers, out. 1994.
HAMMET, J et al. The discoloration of acrylic dispersion media. In: SAVING the twentieth century: the conservation of modern materials. Ottawa: Canadian Conservation Institute, 1993. p. 390-398.
HUGHES, Mike; FORREST, Martin (Org.). Roman women and their clothes: colours. In: HOW the greeks and romans made cloth. Cambridge: Cambridge School Classics Project, 1984. p. 54
HUMMELEN, Ijsbrand; SILLé, Dionne (Ed.). Modern art: who cares? An interdisciplinary research project and an international symposium on the conservation of modern and contemporay art. Amsterdam: Institute Collectie Nederlands/ The Foundation for the Conservation of Modern Art, 1999.
LA CONSERVATION des textiles anciens. Journées d'études de la SFIIC, Angers, out. 1994.
PORTELL, Jean D. African red pigments. In: SYMPOSIUM 86-THE CARE AND PRESERVATION OF ETHNOLOGICAL MATERIALS, 1986, Ottawa. Proceedings Ottawa: Canadian Conservation Institute, 1986. p. 126.
RICHTER, Mark et al. Purple Fluorite: a little known artist's pigment and its use in late gothic and early renaissance painting in northern europe. Studies in Conservation, Londres, n. 46, p. 1-13, 2001. The Journal of the International Institute for Conservation of Historic and Artistic Works.
TAUNAY, Affonso de E. No Rio de Janeiro dos vice-reis. Annaes do Museu Paulista, Tomo XI, p. 5-143, 1943.
WOUTERS, Jan. "Analyse des colorants naturels par chromatographie liquide haute performance (clhp) un élement contribuant à l'êtude textile globale. In la conservation des textiles anciens. Journées d'études de la SFIIC, Angers, p. 70.

1

Este texto foi originalmente produzido como trabalho final da disciplina de pós-graduaçÃo

Reflexões sobre a cor, ministrada em 2000 pelo Prof. Dr. Marco Gianotti do Departamento de Artes Plásticas da ECA/USP.

Datas de Publicação

Publicação nesta coleção
31 Ago 2009
Data do Fascículo
1999

Histórico

Recebido
Jun 2003
Aceito
Out 2003

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

[1] BACHMANN, Konstanze. Conservation concerns. A guide for collectors and curators. Nova York: Cooper-Hewitt National Museum of Design- Smithsonian Institution, 1992.

[2] BURKHARDT, Frederick (Ed.). As cartas de Charles Darwin Uma seleta, 1825-1859. SÃo Paulo: UNESP, 2000. p. 282.

[3] CONSTANTIN, Stéphanie. The Barbizon Painters: A Guide to their suppliers. Studies in Conservation, Londres, n. 46, p. 49-67, 2001. The Journal of the International Institute for Conservation of Historic and Artistic Works, p. 52

[4] CRONYN, Janey. The elements of archaeological conservation London: Routledge, 1990.

[5] EARNSHAW, Pat. Bobbin & Needle Laces: identification & care. London: B&T Batsford, 1983.

[6] FERRETTI, Marco. Scientific investigations of works of art Roma: ICCROM, 1993.

[7] GAGE, John. Colour and culture: Practice and meaning from Antiquity to Abstraction. Londres: Thames & Hudson, 1999.

[8] ______. Colour ans meaning: art, science and symbolism. London: Thames&Hudson, 2001.

[9] GUINEAU, Bernard. Acquisition et traitement de donées colorimétriques; aplication à l'étude de la teinture des textiles. In la conservation des textiles anciens. Journées d'études de la SFIIC, p. 53-68, Angers, out. 1994.

[10] HAMMET, J et al. The discoloration of acrylic dispersion media. In: SAVING the twentieth century: the conservation of modern materials. Ottawa: Canadian Conservation Institute, 1993. p. 390-398.

[11] HUGHES, Mike; FORREST, Martin (Org.). Roman women and their clothes: colours. In: HOW the greeks and romans made cloth. Cambridge: Cambridge School Classics Project, 1984. p. 54

[12] HUMMELEN, Ijsbrand; SILLé, Dionne (Ed.). Modern art: who cares? An interdisciplinary research project and an international symposium on the conservation of modern and contemporay art. Amsterdam: Institute Collectie Nederlands/ The Foundation for the Conservation of Modern Art, 1999.

[13] LA CONSERVATION des textiles anciens. Journées d'études de la SFIIC, Angers, out. 1994.

[14] PORTELL, Jean D. African red pigments. In: SYMPOSIUM 86-THE CARE AND PRESERVATION OF ETHNOLOGICAL MATERIALS, 1986, Ottawa. Proceedings Ottawa: Canadian Conservation Institute, 1986. p. 126.

[15] RICHTER, Mark et al. Purple Fluorite: a little known artist's pigment and its use in late gothic and early renaissance painting in northern europe. Studies in Conservation, Londres, n. 46, p. 1-13, 2001. The Journal of the International Institute for Conservation of Historic and Artistic Works.

[16] TAUNAY, Affonso de E. No Rio de Janeiro dos vice-reis. Annaes do Museu Paulista, Tomo XI, p. 5-143, 1943.

[17] WOUTERS, Jan. "Analyse des colorants naturels par chromatographie liquide haute performance (clhp) un élement contribuant à l'êtude textile globale. In la conservation des textiles anciens. Journées d'études de la SFIIC, Angers, p. 70.