The study approaches the Bólides which are structured from 1965-1966 to 1967, when the specificity of its elements together with an open formal structure strengthens Hélio Oiticica's craving to implant an artistic experience with an autonomous imprint. First then, the analysis focuses on the "transobjects" whose structures are fashioned from pre-existing materials. In a second instance, the study is centered on the Bólides related with concepts of "antiarte", "appropriation" and "new objectivity".
Hélio Oiticica; Bólide (fireball); transobject; antiarte; New Objectivity
