ABSTRACT
The portrait of the boys Raimundo Roberto and Fernando José, sons of Infanta Josefa Fernanda de Borbón, made by Antonio María Esquivel Y Suárez de Urbina in the mid-nineteenth century, and belonging to the collection of the Prado Museum, in Madrid, reveals interesting connections with the Jean-Jacques Rousseau’s philosophy of natural education, although the painter conveniently sought much more to illustrate it than to debate it.
KEYWORDS
Rhetoric; Painting; Natural Education; Freedom