By investigating symmetrical opposite proceedings of compositional techniques radicalized in Vento sul, by Vilma Arêas - the non-literariness and the literary-poetic device - this article attempts to understand how the representation of the reality works in it. We try to grasp the content of the history and the subjectivity formalized by this book.
Vilma Arêas; Modesto Carone; Eduardo Coutinho; artistic form and Brazilian social process; realism and reality