This article analyzes how the "black comedy" Namíbia, Não!, by the young playwright Aldri Annunciation, from Bahia, elaborates the last consequences of the famous Brazilian racial democracy and of the human rights, and how it goes until the limits of the "politically correct" post-colonialist discourse in Brazil of the XXI century.
Black theatre; political theatre; comedy; Black movement; post colonial studies; race and gender; Aldri Anunciação