Abstract
In the current analysis, we intend to address Graciela Huinao’s collection of poems Walinto and Conceição Evaristo’s Poemas da recordação e outros movimentos from the subaltern rhetoric perspective. Understanding this as evidence of metaphors that subvert colonizing discourse. In accordance with it, we have linked the works of Huinao and Evaristo through the metaphor of the voice. Which we say configures the common space of openness towards the other, as an echo, resonance and/or scream, textualizing the connotative privilege of oral cultures and the contemporary conceptions of the multiple and plural subjectivities.
Keywords:
Subaltern rhetoric; orality; Graciela Huinao; Conceição Evaristo