Abstract
The Lacanian style is not a simple envelopment of thought but something essential to his proposal of the transmission of psychoanalysis. We analyze one of its main features: the conceptual polysemy. For this task we utilize mainly the work of commentators such as Milán-Ramos and Beividas, in order to make a discussion between two opposing ideal types: the subjective transmission and the scientific transmission. We discuss the problems and advantages of each point of view, recognizing its limits in the attempt to better comprehend psychoanalysis, that ends up transcending the categorization in Art or Science.
Lacan; style; transmission