This paper discusses the ways of view in present days and analyzes policies constitution of the look, through the notions of the precarious view and total look; disposed as logical for the production of the senses. The ways of view are genealogical presented and related to the modes of production and expression of thought, to the biopolitical in the present time and to the make of the contemporary cinema. Discusses two cinema experiences through the movies Le scaphandre et le papillon and La pianist, to think movements of individuality production or modes of subjectivity that allow exercises of autonomy and fabrication of collective.
politics of image; modes of subjectivity; cinema; precarious view