When we talk about building objects in any specialty called scientific, we usually to rule out certain elements of our experience which are considered too uncertain to be part of the constitution of the field of research and/or intervention: sensations, emotions, unique experiences, nebulae possibilities, tensions incoherent, etc. However, all this virtual cloud of deceit is fundamental part of our worldly articulation, giving concreteness to our encounters with the world. How to speak of these elements in our research? This article aims to discuss the possibilities of a onto-epistemological hybridizing politics of the knowledge strategies from Arts and Social Psychology.
poetic; fiction; Social Psychology; narrative; cartography