Abstract
This paper seeks to observe how music can serve as a vector for the processes of narrativization and mediation of aesthetic, political, socio-cultural, and technological aspects by artists from the musical field in environments of connectivity media. In this sense, we observed how the connected listening in Teresa Cristina’s lives ended up highlighting gender, race, and territoriality issues in the Brazilian artistic universe. This analysis points to new possibilities of experiencing musical lives on online platforms when viewed through the lens of connectivity media’s ecosystem.
Keywords
connected listening; lives; Teresa Cristina; Instagram