A theoretical approach to the paradoxical status of skin is a useful means to go beyond the metaphysical dichotomy of superficiality/depth, and to discuss the contemporary tendency to praise surfaces while rejecting any kind of dichotomousness. Establishing the conceptual notion of the paradoxical porosity of skin serves as a starting point from which it is possible to evaluate ways and forms of sociability fostered by today's culture of image, exhibition and spectacularity. The closing of the skin's pores emulates the characteristics of an inorganic material known commercially as Teflon. In Greek mythology, Poros is the father of Eros; hence, the investigation of the skin's porosity evokes the theme of eroticism. Exploring Agamben's approach to pornography and José Gil's reflections about the body, dance and skin, this article discusses some implications of the opening of the pores and the production of what we call Teflon skin.
paradoxical status of skin; spectacularity and consumption; pornography and eroticism