Abstract
Figurations of psychological problems, mental illness, boredom, depression, addiction, and medication abound in post-postmodern fiction. David Foster Wallace's Infinite Jest and The Pale King and Jonathan Franzen’s The Corrections are cases in point. Apparently, what these works share in common are the material and psycho-biological explanations that they hint at or provide for the various mental problems and disorders experienced by the characters. These pertain to the specific socio-economic and cultural mode characterizing the contemporary scene. Drawing on the insights provided by Franco Berardi the present article tries to shed light on the significance of such figurations.
Keywords
Davis Foster Wallace; Jonathan Franzen; Franco Berardi; boredom; depression