This paper is about the reconstruction of some of the production's global processes in the cultural industry of music in its local dimensions, through a report of a family story of musicians and their band from a small village in Central-West Mexico. To understand the characteristics and properties of our goal, we use the anthroponomic perspective proposed by Bertaux as a conceptual alternative focusing the "other" production, that is not only confined to matters of economics, and it documents a different process, sometimes a complementary one, in which are produced minds and bodies that are apt for certain types of activity in a time and a given social space. As a result, we point out that, at the same time in which the macro social structures produced three generations of "apt" musicians, was being born and progressively growing stronger a complex cultural industry in Mexico that testified the relative fine tuning of a local and an industrial-cultural temporalities.
Cultural Industry; Music; Culture; Comala Band