The creations of the apollinian-dionysian genius are in the center of the concerns of the artist's metaphysics and raise the question about the relationship of Nietzsche to the aesthetics of German Romanticism and Schopenhauer's. In this article we investigate the ambivalences of the Nietzschean thinking regarding the conflict between the apollinian art of illusion and the Dionysian wisdom, between the Primordial-One and the appearance.
Art; Apollinian; Dionysian; Genius; Appearance