This article aims to elaborate a phenomenology of the pictorial space, based on texts by Heidegger, Merleau-Ponty and Henry Maldiney. The analyses made will be compared in fine with the ones art historians produced, in particular Wölfflin's.
Heidegger; Merleau-Ponty; Maldiney; Wölfflin; Painting; Space; to Appear; Rhythm