The article analyses the comedy produced during Brazilian romanticist period taking the work of Martins Pena and Joaquim Manuel de Macedo as a guideline. It states that Pena, taking advantage of other genres, founded comedy of manners in Brazil, whereas Macedo is understood against the framework of the transformations of dramatic language. Comedy is analyzed here in relation to its instability of form and the tension between European ideals and Brazilian political environment.
Martins Pena; Joaquim Manuel de Macedo; romanticism; drama