Transnationality and Modes of Production in Theatre Studies

Clara de Andrade Gustavo Guenzburger About the authors


Transnationality and Modes of Production in Theatre Studies - This paper presents an argument in favor of a transnational approach which also examines modes of production within theatre studies in Brazil. Drawing on discussions that took place in July, 2018, at the Philanthropy, Development and the Arts international conference in Munich, we point to new possibilities that may enrich various fields of theatre research. In several cases discussed at the conference and summarized in this article, seemingly local issues and practices revealed their recurrence in other parts of the world (Brazil included), thus demonstrating their interconnection within transnational networks and circuits. In conclusion, it is suggested that the study of theatre from the perspective of transnationality and modes of production may also constitute an action in defense of research, and of the cultural milieu itself, particularly in countries that are living through reactionary periods, as is the case for Brazil today.

Transnationality; Theatre Studies; Philanthropy; Modes of Production; Theatre for Development.

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