ABSTRACT
This paper aims to discuss the situation of the borders between Brazilian literature and dramaturgy. We will emphasize the need to promote a connection between Brazilian dramaturgy and Brazilian literature in undergraduate courses in Brazil. As a case study, we have analysed the following plays: O noviço, by Martins Pena, Auto da compadecida, by Ariano Suassuna and Eles não usam black-tie, by Gianfrancesco Guarnieri.
KEYWORDS
Brazilian Dramaturgy; Brazilian Literature; Discourse Analysis; Brazilian culture