ABSTRACT
This article aims to discuss the beggining of the Egberto Gismonti's trajectory, trying to unveil musical procedures that made part of his carrier's construction during de 1970's, giving special attention to his phonografic's production. For that, besides an deeply examn of the musical material from some of his compositions, the discuss seeks to associate the sonority's construction with the cited context, bringing out the debates about form and contents in a perspective that takes into consideration some keys concepts like sonority, inclusion, recreation, and transcription.
KEYWORDS :
Egberto Gismonti; 1970's; sonority; Brazilian popular music