ABSTRACT
The aim of this article is to start the elaboration of an intersection between the perspectives of Beatriz Nascimento (quilombo), Rancière (surface and edge), Mondzain (zone and radicality) and Touam Bona (refuge, escape, marronage) in order to illuminate the surface of the scene of dissent as an interval space for the creation of emancipatory and hospitable poetics. The surface, the zone and the refuge offer us important elements to compose a powerful imagery to show how the arts of escape are articulated with the invention of imaging operations that produce dissent (and decolonization of the gaze) reconfiguring the surface of the common world and the rhetorics of inhospitality.
KEYWORDS
Scene; refuge; emancipatory edges.